Monday, August 30, 2021
Monday, August 9, 2021
Mock Pura Belpre: Coquí in the City by Nomar Perez
Mock Pura Belpre 2022: The Cot in the Living Room by Hilda Eunice Burgos and Gaby D'Alessandro
Night after night, a young girl watches her mami set up a cot in the living room for guests in their Washington Heights apartment, like Raquel (who's boring) and Edgardo (who gets crumbs everywhere). She resents that they get the entire living room with a view of the George Washington Bridge, while all she gets is a tiny bedroom with a view of her sister (who snores). Until one night when no one comes, and it's finally her chance! But as it turns out, sleeping on the cot in the living room isn't all she thought it would be.
With charming text by Hilda Eunice Burgos and whimsical illustrations by Gaby D'Alessandro, The Cot in the Living Room is a celebration of the ways a Dominican American community takes care of one another while showing young readers that sometimes the best way to be a better neighbor is by imagining how it feels to spend a night sleeping on someone else's pillow.
Mock Pura Belpre 2022: I love you Baby Burrito by Angela Dominguez
Wednesday, July 28, 2021
Newbery 2022 Watch: Maybe, Maybe Marisol Rainey by Erin Estrada Kelly
Will Marisol be able to salvage her summer and have fun with Jada, her best friend? Maybe
Wednesday, July 21, 2021
Mock Printz 2022 : A Sitting in St. James Rita Williams Garcia
n unblinking view into plantation life in the Deep South.
At first glance this epic seems to be focused on the ups and downs of the Guilbert family, slaveholders living in the Louisiana parish of St. James whose legacy is protected by 80-year-old matriarch Madame Sylvie Bernardin de Maret Dacier Guilbert. However, Williams-Garcia doesn’t stop in the salons and sitting rooms; she brings readers into the cabins and cookhouses of enslaved people whose perceived invisibility gives them access to ideas and knowledge that empower them in ways that few fiction writers have examined. Sixteen-year-old Thisbe is the personal servant to Madame Guilbert—treated like a pet and beaten with a hairbrush for the smallest alleged slight. Her narrative to liberation is intricately webbed within the story of the Guilberts. Thisbe’s silence helps her acquire the language to affirm her humanity to those who would deny it. With a cast of characters whose assorted genealogies feel like an ode to the mixing of peoples and cultures in Louisiana, this story broadens and emboldens interrogations of U.S. chattel slavery. Williams-Garcia’s meticulous research processes shout volumes about the importance of taking contemporary inspiration into the archives to unearth sorely needed truths as we continue to navigate questions of equity and justice for the descendants of enslaved people.